Handcrafted Ceramics by Jordie MacDonald
Made using Canterbury Clay, electric fired with Lichen Glaze.
Each tumbler is hand-crafted, so variations in size, texture, pattern, glaze, and colour are to be expected - and celebrated. No two are ever the same, making each piece truly unique.
Dimensions: 75×55mm
Volume: 120ml
Jodie MacDonald - Ōtautahi Christchurch
Currently based in Ōtautahi, My interest in clay was born from a hobby-turned-obsession and a very generous long-term lend of a pottery wheel. I first started working with clay in 2007 when I recieved a wheel throwing pottery course as a gift.
As tangata tiriti, I acknowledge the privilege I have had, previously living in the beautiful Pātaua, Tai Tokerau and the privilege I now have living in Ōtautahi, working with the whenua of Ngai (Kai) Tahu.
My ethos is to create functional ceramics that are both beautiful and tell a story, and to source materials as locally as possible. The origin of the wild clays used could be anywhere from a friends house site to a sample taken from a slip on the side of the road. Wild clays are only sampled from already disturbed sites.
Handcrafted Ceramics by Jordie MacDonald
Made using Canterbury Clay, electric fired with Lichen Glaze.
Each tumbler is hand-crafted, so variations in size, texture, pattern, glaze, and colour are to be expected - and celebrated. No two are ever the same, making each piece truly unique.
Dimensions: 75×55mm
Volume: 120ml
Jodie MacDonald - Ōtautahi Christchurch
Currently based in Ōtautahi, My interest in clay was born from a hobby-turned-obsession and a very generous long-term lend of a pottery wheel. I first started working with clay in 2007 when I recieved a wheel throwing pottery course as a gift.
As tangata tiriti, I acknowledge the privilege I have had, previously living in the beautiful Pātaua, Tai Tokerau and the privilege I now have living in Ōtautahi, working with the whenua of Ngai (Kai) Tahu.
My ethos is to create functional ceramics that are both beautiful and tell a story, and to source materials as locally as possible. The origin of the wild clays used could be anywhere from a friends house site to a sample taken from a slip on the side of the road. Wild clays are only sampled from already disturbed sites.
